The 1970s was a golden era for synthesizers. As more musicians embraced this instrument, they created music like never before. Early synthesizers were large, complex, and expensive. In 1971, Alan R. Pearlman and Dennis Colin aimed to make a more portable version of the ARP 2500 modular synth for musicians, and the ARP 2600 semi-modular synthesizer was born. It was an instant success and was used by many famous musicians such as Edgar Winter, Pete Townshend, Herbie Hancock, and Jean-Michel Jarre. Soon after its release, ARP introduced a bright blue Model 2600 called the “Blue Marvin,” named after ARP CFO Marvin Cohen. Now, here comes the Behringer 2600 BLUE MARVIN. This limited - edition synthesizer pays homage to the iconic ARP 2600 at an ultra - affordable price and is packed with more features. Compared to the original Behringer 2600, the BLUE MARVIN has a mechanical spring reverb, carefully selected components, single - color LEDs on each fader, and a super cool paint job that will make your setup stand out. With its pure analog signal path based on the authentic ARP 2600 circuitry from the '70s with matched transistors and JFETs, you can easily create almost any sound you can imagine. Owning a BLUE MARVIN means having a piece of musical history, allowing you to recreate classic tunes or blaze your own musical trail. Key features include: a triple VCO design for creating extremely rich music; an authentic reproduction of the ultra - rare Arp Blue Marvin circuitry from the '70s; a semi - modular architecture for immediate performance without patching; 3 VCOs with LFO mode, FM inputs, and multiple wave - shape outputs; a multi - mode VCF with dedicated low - pass and additional switched high/notch outputs; a wide range of modules like a ring modulator, lag processor, etc.; ADSR and AR Envelope generators with a switchable time factor; a mechanical spring reverb for great sound effects; a noise generator with variable color; 2 dedicated LFOs with pulse and sine wave outputs; a switched Post Filter Distortion / Inverter option on the voltage processor; a differential input VCA with linear and exponential control inputs; additional functions for creative patching; an external audio input; 58 faders and 15 buttons for real - time parameter access; 83 patch cable input/outputs for maximum configuration flexibility; and comprehensive MIDI implementation with MIDI channel and Voice Priority selection.
Using the Behringer 2600 Blue Marvin synthesizer is a breeze. First, plug it in and turn it on. You can start making basic sounds right away thanks to its semi - modular architecture that doesn't require patching. Use the 58 faders and 15 buttons to directly control all the parameters in real - time. For more complex sounds, connect patch cables through the 83 input/outputs. You can also use the external audio input to process external sound sources. When using the MIDI function, select the MIDI channel and Voice Priority according to your needs. Here are some things to note. Avoid exposing the synthesizer to extreme temperatures, humidity, or direct sunlight as it may damage the internal components. Don't apply excessive force when operating the faders and buttons. For maintenance, keep the synthesizer clean by using a soft, dry cloth to wipe it regularly. If there is dust inside, use a can of compressed air to blow it out gently. Make sure to turn off the power before cleaning to avoid any electrical hazards. With proper use and care, your Behringer 2600 Blue Marvin will serve you well for a long time.
